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A Day in the Life of a Antiques Dealer

An antiques dealer buys and sells antiques. These may include art, furniture, jewelry, books, rugs, clothing, or any item that has survived the ravages of time. While some dealers earn specific titles and specialize in one type of relic, many are generalists who examine pieces of any type with historic, aesthetic, and financial value. “It is difficult to describe the life of an antiques dealer,” wrote one of our respondents, “because it involves so many things. An antiques dealer must know the pieces they sell, the clients they sell to, [and how to] manage their offices [and] their finances.” It is difficult to become and remain an antiques dealer. Few professions require participants to exhibit such a diverse range of skills. The profession provides high levels of satisfaction at all levels for those people who are interested in history, business, psychology, and aesthetic concerns. The joys of being surrounded daily with items of financial and historical value seem to buoy many people through the long hours, the paucity of compensation, and the difficulty of achieving independence from established dealers. Many respondents had nothing but high praise for their coworkers. One referred to them as “a good resource, both intellectually and emotionally.” Antiques dealers invest substantial capital in inventory. The high level of investment means a high degree of risk and great pressure on the dealer to assess carefully the value of items before they are purchased and to sell items purchased aggressively. The pressure for value on both ends can translate into pressure for those working in the industry; those who are unaware of this “results-based” operation of many antiques houses are surprised at the importance of the bottom line in the business. The job of an antiques dealer requires a person to trust her own understanding of a piece’s value and put herself on the line every time she makes a decision. It is natural that betting on your own skills would create worry. People mentioned that if you make a mistake in overpaying for a piece, you can often “sell your way out of it.” Successful dealers rarely try to take advantage of long-term customers, however. Those relationships are based on trust.

Paying Your Dues

A variety of undergraduate degrees lend themselves to this career path, but no specific major is required. Art history majors enjoy the interaction with beautiful works; business students appreciate the investment and dealing aspects of the profession; history majors love the continuous education the job allows. Becoming an antiques dealer requires spending long hours inspecting pieces, visiting other antiques dealers, reviewing documentation, and researching histories. Most aspiring antiques dealers begin as interns at auction houses or alongside established professionals and learn as assistants, take care of correspondence, make research trips to the library, and schedule appointments. Attention to detail serves the prospective antiques dealer well, as deciding the value of a piece (the most difficult aspect of being a dealer) can depend on a slight detail. Graduate work is less important than practical experience, and specialization can begin either midway through or late in a dealer’s career.

Present and Future

Antiques dealers before the seventeenth century were more closely associated with archaeology, as craftsmanship of prior pieces was less interesting compared with the artisanship, patterning, and construction of artifacts from other or ancient civilizations. Beginning in the seventeenth century, though, craftsmanship emerged as the favorite means of wealthy home beautification, and this demand spurred the production of high-quality, aesthetically pleasing pieces of furniture. Within 70 years, these pieces were being sold as antiques or specialty items. Antique sales tend to be even more active during years of financial lassitude. Those who aspire to become part of this industry should understand that most successful antiques dealers have to have a critical mass of audience (that is, a client base) to make the profession selfsupporting. As a result, urban or suburban antiques dealers have traditionally done better than rural ones. However, such online marketplaces as eBay allow dealers to sell remotely and conveniently, a trend that is expected to grow in the upcoming years.

Quality of Life


Two years into the profession, antiques dealers are usually working alongside an established professional and learning inventory systems, bookkeeping methodology, and payment schedules. Many assist with client contact and valuation decisions, learning the less-quantifiable aspects of the profession. The hours are long and the pay is low, but the responsibility levels in terms of inventory management and presentations are high. A number of new dealers take art history, history, and appraisal courses.


The majority of five-year antiques dealers have switched positions at least once during these middle years, either to learn different specialties, gain greater responsibilities, or work in a larger client community. Eight percent return to school to receive their MBAs. Most antiques dealers network with other professionals and seek out areas of opportunity during this time. Few open their own shops at this juncture; good connections are difficult to establish.


Ten-year veterans begin to assemble the pieces they will need to open their own shops. In many cases, that means making a bid to their current employer. One respondent mentioned that “over 90 percent of dealers think about opening their own shop, but only about 40 percent do it.” This yen for independence is expected at this stage in a career. Contacts have been established, experience is strong, and dealers have matured, learning the tangible and intangible aspects of the industry. Salaries do not rise beyond this point unless people open their own shops; this encourages the mass exodus to consider self-employment. Of the new dealers, only about 25 percent remain after 18 months.